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Photos & Words by: Nate Payne

Last week, Nick Offerman brought his Big Woodchuck Tour to the historic Warner Theatre in Washington DC, delivering an evening that felt equal parts concert, storytelling session, and masterclass in craftsmanship. Known for his sharp wit, warm stage presence, and lifelong devotion to woodworking, Offerman transformed the theater into something closer to a woodshop gathering rather than a traditional performance.


Nick Offerman's Big Woodchuck Tour | The Warner Theatre | Washington, DC | Nate Payne Photography | 4.15.26
Nick Offerman's Big Woodchuck Tour | The Warner Theatre | Washington, DC | Nate Payne Photography | 4.15.26
Nick Offerman's Big Woodchuck Tour | The Warner Theatre | Washington, DC | Nate Payne Photography | 4.15.26
Nick Offerman's Big Woodchuck Tour | The Warner Theatre | Washington, DC | Nate Payne Photography | 4.15.26

The stage itself reflected that balance of music and manual labor. A pair of chairs, several musical instruments, and a sturdy workbench served as the evening’s centerpiece, creating an intimate setting that invited the audience into Offerman’s world. Joining him on stage was master craftsman Lee Buchanan, whose incredible carpentry skills and easy rapport with Offerman became one of the highlights of the night.

Nick Offerman's Big Woodchuck Tour | The Warner Theatre | Washington, DC | Nate Payne Photography | 4.15.26
Nick Offerman's Big Woodchuck Tour | The Warner Theatre | Washington, DC | Nate Payne Photography | 4.15.26
Nick Offerman's Big Woodchuck Tour | The Warner Theatre | Washington, DC | Nate Payne Photography | 4.15.26

While Offerman entertained the crowd with guitar performances and stories from his years at Offerman Woodshop, Buchanan set to work constructing a “slap stick,” one of the featured projects from Offerman’s latest book, Little Woodchucks: Offerman Woodshop’s Guide to Tools and Tomfoolery. The demonstration was both practical and theatrical. Piece by piece, Strausbaugh showed the audience how approachable the project could be, proving that woodworking does not have to feel intimidating to beginners and completed in a timely manner.

Nick Offerman's Big Woodchuck Tour | The Warner Theatre | Washington, DC | Nate Payne Photography | 4.15.26
Nick Offerman's Big Woodchuck Tour | The Warner Theatre | Washington, DC | Nate Payne Photography | 4.15.26
Nick Offerman's Big Woodchuck Tour | The Warner Theatre | Washington, DC | Nate Payne Photography | 4.15.26

As sawdust and laughter filled the room, Offerman alternated between musical interludes and heartfelt reflections on friendship, craftsmanship, and creative purpose. He played both guitar and a homemade ukulele, bringing humor and charm to every note. His tribute to Lee was particularly memorable, as the two reminisced about their shared years working together and the culture of Offerman Woodshop—a place built as much on camaraderie as it is on craftsmanship.

Nick Offerman's Big Woodchuck Tour | The Warner Theatre | Washington, DC | Nate Payne Photography | 4.15.26
Nick Offerman's Big Woodchuck Tour | The Warner Theatre | Washington, DC | Nate Payne Photography | 4.15.26

Nick Offerman's Big Woodchuck Tour | The Warner Theatre | Washington, DC | Nate Payne Photography | 4.15.26

The evening also opened the floor to audience questions, with attendees asking about woodworking techniques, favorite tools, and the lessons learned from years spent building side by side. Their answers were candid, often funny, and rooted in the idea that craftsmanship is less about perfection and more about patience, curiosity, care and connection with one another.

Nick Offerman's Big Woodchuck Tour | The Warner Theatre | Washington, DC | Nate Payne Photography | 4.15.26

Nick Offerman's Big Woodchuck Tour | The Warner Theatre | Washington, DC | Nate Payne Photography | 4.15.26
Nick Offerman's Big Woodchuck Tour | The Warner Theatre | Washington, DC | Nate Payne Photography | 4.15.26

At its heart, the Big Woodchuck Tour is a celebration of making things by hand and the relationships that are also built along the way. In a city often defined by politics and urgency, Nick and Lee offered something refreshingly grounded, inspirational and up-lifting.


For more information about Nick Offerman, his books, and his workshop please visit the links below.

Little Woodchucks: Offerman Woodshop's guide to tools and tomfoolery

Nick Offerman Social Media

Nick Offerman's Big Woodchuck Tour | The Warner Theatre | Washington, DC | Nate Payne Photography | 4.15.26


All photographs shown are copyright © Nathan Payne and are presented for web browser viewing only.

Photos contained within this site may not be reproduced, downloaded, stored, copied, manipulated, altered, or used in any form without prior written permission.

Photography By:


Nate Payne Photography Washington, DC





Photos & Words by: Nate Payne

British post-grunge icons BUSH brought the Land of Milk and Honey Tour to The Anthem, delivering a thunderous night of nostalgia and raw energy that reminded Washington, DC exactly why the band remains one of alternative rock’s most enduring live acts.

BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26

The evening began strong with opening acts from Mammoth and James and the Cold Gun, both serving up high-octane performances that primed the crowd for the main event. Under a haze of fog and low, moody lighting, the silhouettes of the band emerged into position. Then came the unmistakable opening notes of “Machinehead,” blasting through the heart of The Anthem and instantly igniting the crowd. It was a powerful opening statement, echoing countless shows across decades of performance.

BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26

BUSH launched into “Prizefighter” and “More Than Machines,” sling-shotting the audience into a set that combined new material with the classics that built their legacy. This show marked the band’s second headlining performance at The Anthem in just three years, following their February 2023 stop during The Art of Survival Tour.

BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26

Frontman Gavin Rossdale commanded the room with his signature intensity, moving effortlessly between gritty vocals and genuine crowd connection. One of the night’s standout moments came during “Flowers on a Grave,” when Rossdale left the main stage entirely, making his way to the venue’s second-floor balcony to sing among fans. The spontaneous singalong transformed The Anthem into something unexpectedly personal.

BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26

BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26

The setlist flowed seamlessly between eras, allowing newer tracks to stand shoulder-to-shoulder with fan favorites from the band’s legendary catalogue. By the time they closed the main set with “Little Things,” the audience was already cheering for more.

BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26

Their encore delivered exactly that. The tour’s namesake, “The Land of Milk and Honey,” surged with fresh urgency before giving way to two of the band’s most beloved anthems, “Swallowed” and the unforgettable “Comedown,” satisfying the crowd until the final notes rang out.

BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26

BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26

For millennial fans especially, the night was a full-force reminder of an era when alternative rock ruled the airwaves. BUSH supercharged The Anthem, proving once again that some bands never lose their high-voltage impact.

 

Bush continues the land of Milk and Honey Tour in the US until May 4th when they’ll transition to their European tour kicking off on June 6th. For more information about Bush, please click on the links below.

BUSH Social Media

BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26


All photographs shown are copyright © Nathan Payne and are presented for web browser viewing only.

Photos contained within this site may not be reproduced, downloaded, stored, copied, manipulated, altered, or used in any form without prior written permission.

Photography By:


Nate Payne Photography Washington, DC





Photos & Words by: Nate Payne

Australian singer-songwriter Steph Strings arrived in DC with quiet confidence and left it sizzling. Last week, the intimate second floor of DC9 Nightclub became the capstone of her North American tour, unleashing her music on the Northeast and setting the tone for her incredible brand of music.


Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26
Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26
Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26

The stage was dim at first glance, but soon bursts of red, orange, and purple light shifted with the arc of her set, creating a warm, almost otherworldly glow that spilled off the stage into the audience. It felt less like a concert and more like stepping into a soundscape forged over a decade of practice and expression.

Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26
Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26
Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26

Strings commanded the space with a calm and confident presence. Often seated center stage, she leaned into her acoustic guitar with precision and ease. Shifting to her feet and armed with a network of pedals and looping devices, she constructed layered arrangements in real time, complete with rhythms, harmonies, and textures stacking atop one another until a single performer sounded like an acoustic ensemble. Technical, not clinical; every loop carried weight.

Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26
Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26
Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26

Between songs, Strings shared stories of her experience as a developing artist. Her reflections were candid, often humorous, and deeply human, drawing the audience closer with each passing moment. She spoke of Layla, a nearly mystical figure she encountered during her travels. Someone who seemed to appear at just the right time, offering encouragement and a sense of clarity. In Strings’ telling, Layla became more than a person; she was a symbol of intuition, resilience, and the quiet courage it takes to believe in one’s path.

Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26
Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26

Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26

That ethos coursed through the performance. Every note, every strum, every story felt like an act of self-trust. By the end of the night, the crowd at DC9 was witnessing an artist fully stepping into her voice. For more information about Steph Strings and her European Tour, please visit the links below.

Steph Strings Social Media

Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26


All photographs shown are copyright © Nathan Payne and are presented for web browser viewing only.

Photos contained within this site may not be reproduced, downloaded, stored, copied, manipulated, altered, or used in any form without prior written permission.

Photography By:


Nate Payne Photography Washington, DC





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© 2023 Nate Payne Photography & Pit-Dweller Media

Washington, D.C.

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