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Photos & Words by: Nate Payne

British post-grunge icons BUSH brought the Land of Milk and Honey Tour to The Anthem, delivering a thunderous night of nostalgia and raw energy that reminded Washington, DC exactly why the band remains one of alternative rock’s most enduring live acts.

BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26

The evening began strong with opening acts from Mammoth and James and the Cold Gun, both serving up high-octane performances that primed the crowd for the main event. Under a haze of fog and low, moody lighting, the silhouettes of the band emerged into position. Then came the unmistakable opening notes of “Machinehead,” blasting through the heart of The Anthem and instantly igniting the crowd. It was a powerful opening statement, echoing countless shows across decades of performance.

BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26

BUSH launched into “Prizefighter” and “More Than Machines,” sling-shotting the audience into a set that combined new material with the classics that built their legacy. This show marked the band’s second headlining performance at The Anthem in just three years, following their February 2023 stop during The Art of Survival Tour.

BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26

Frontman Gavin Rossdale commanded the room with his signature intensity, moving effortlessly between gritty vocals and genuine crowd connection. One of the night’s standout moments came during “Flowers on a Grave,” when Rossdale left the main stage entirely, making his way to the venue’s second-floor balcony to sing among fans. The spontaneous singalong transformed The Anthem into something unexpectedly personal.

BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26

BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26

The setlist flowed seamlessly between eras, allowing newer tracks to stand shoulder-to-shoulder with fan favorites from the band’s legendary catalogue. By the time they closed the main set with “Little Things,” the audience was already cheering for more.

BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26

Their encore delivered exactly that. The tour’s namesake, “The Land of Milk and Honey,” surged with fresh urgency before giving way to two of the band’s most beloved anthems, “Swallowed” and the unforgettable “Comedown,” satisfying the crowd until the final notes rang out.

BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26
BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26

BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26

For millennial fans especially, the night was a full-force reminder of an era when alternative rock ruled the airwaves. BUSH supercharged The Anthem, proving once again that some bands never lose their high-voltage impact.

 

Bush continues the land of Milk and Honey Tour in the US until May 4th when they’ll transition to their European tour kicking off on June 6th. For more information about Bush, please click on the links below.

BUSH Social Media

BUSH: The Land of Milk and Honey Tour | The Anthem | Washington, DC | Nate Payne Photography | 4.9.26


All photographs shown are copyright © Nathan Payne and are presented for web browser viewing only.

Photos contained within this site may not be reproduced, downloaded, stored, copied, manipulated, altered, or used in any form without prior written permission.

Photography By:


Nate Payne Photography Washington, DC





Photos & Words by: Nate Payne

Australian singer-songwriter Steph Strings arrived in DC with quiet confidence and left it sizzling. Last week, the intimate second floor of DC9 Nightclub became the capstone of her North American tour, unleashing her music on the Northeast and setting the tone for her incredible brand of music.


Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26
Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26
Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26

The stage was dim at first glance, but soon bursts of red, orange, and purple light shifted with the arc of her set, creating a warm, almost otherworldly glow that spilled off the stage into the audience. It felt less like a concert and more like stepping into a soundscape forged over a decade of practice and expression.

Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26
Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26
Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26

Strings commanded the space with a calm and confident presence. Often seated center stage, she leaned into her acoustic guitar with precision and ease. Shifting to her feet and armed with a network of pedals and looping devices, she constructed layered arrangements in real time, complete with rhythms, harmonies, and textures stacking atop one another until a single performer sounded like an acoustic ensemble. Technical, not clinical; every loop carried weight.

Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26
Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26
Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26

Between songs, Strings shared stories of her experience as a developing artist. Her reflections were candid, often humorous, and deeply human, drawing the audience closer with each passing moment. She spoke of Layla, a nearly mystical figure she encountered during her travels. Someone who seemed to appear at just the right time, offering encouragement and a sense of clarity. In Strings’ telling, Layla became more than a person; she was a symbol of intuition, resilience, and the quiet courage it takes to believe in one’s path.

Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26
Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26

Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26

That ethos coursed through the performance. Every note, every strum, every story felt like an act of self-trust. By the end of the night, the crowd at DC9 was witnessing an artist fully stepping into her voice. For more information about Steph Strings and her European Tour, please visit the links below.

Steph Strings Social Media

Steph Strings | DC9 Nightclub | Washington, DC | Nate Payne Photography | 3.20.26


All photographs shown are copyright © Nathan Payne and are presented for web browser viewing only.

Photos contained within this site may not be reproduced, downloaded, stored, copied, manipulated, altered, or used in any form without prior written permission.

Photography By:


Nate Payne Photography Washington, DC





Photos & Words by: Nate Payne

Earlier this week, Margo Price brought her Wild at Heart Tour to Washington, DC, transforming the legendary 9:30 Club into a honky-tonk complete with sunset stage lighting. The stage glowed in washes of orange and purple light, casting long, cinematic shadows that felt like dusk settling over an open highway.


Margo Price | 9:30 Club | Washington, DC | Nate Payne Photography | 2.17.26
Margo Price | 9:30 Club | Washington, DC | Nate Payne Photography | 2.17.26
Margo Price | 9:30 Club | Washington, DC | Nate Payne Photography | 2.17.26
Margo Price | 9:30 Club | Washington, DC | Nate Payne Photography | 2.17.26

Price emerged in a stylish western dress, her band clad in classic western wear that nodded to tradition. From the opening notes of “About to Find Out,” it was clear the setlist would be the architecture of the night. “Wild at Heart” and “Red Eye Flight” followed with restless energy, grounding the show with Margo’s signature defiant independence that has long defined her epic catalog.

Setlist | Margo Price | 9:30 Club | Washington, DC | Nate Payne Photography | 2.17.26

 

About to Find Out

Wild at Heart

Red Eye Flight

Don't Wake Me Up

Close to You

Love Me Like You Used To Do

I Just Don't Give a Damn

Tennessee Song

Keep A Picture

Prelude

Don't Let the Bastards Get You Down

Kissing You Goodbye

All The Wine In California

Edge of Darkness

The Times They Are A-Changin'

Oval Room

Maggie's Farm

Margo Price | 9:30 Club | Washington, DC | Nate Payne Photography | 2.17.26
Margo Price | 9:30 Club | Washington, DC | Nate Payne Photography | 2.17.26
Margo Price | 9:30 Club | Washington, DC | Nate Payne Photography | 2.17.26

The emotional center of the show arrived with “The Times They Are A-Changin’,” Price’s voice steady and resolute as she channeled Bob Dylan. The song’s timeless urgency blended seamlessly with her own “Don’t Let the Bastards Get You Down,” blurring the lines between past protest and present resolve. By the time she closed the night with Dylan’s “Maggie’s Farm,” the through-line was unmistakable.

Margo Price | 9:30 Club | Washington, DC | Nate Payne Photography | 2.17.26
Margo Price | 9:30 Club | Washington, DC | Nate Payne Photography | 2.17.26
Margo Price | 9:30 Club | Washington, DC | Nate Payne Photography | 2.17.26

The setlist shaped the arc of the evening from personal reflection to collective defiance, stitching together her originals with songs by Logan Ledger, Jeremy Ivey, and Blaze Foley. As the final chords rang out beneath the stage’s sunset glow, Price had successfully honored her influences while carving her own place in the canon. For more information about Margo Price and The Wild at Heart Tour, please visit the links below.

Margo Price Social Media

Margo Price | 9:30 Club | Washington, DC | Nate Payne Photography | 2.17.26


All photographs shown are copyright © Nathan Payne and are presented for web browser viewing only.

Photos contained within this site may not be reproduced, downloaded, stored, copied, manipulated, altered, or used in any form without prior written permission.

Photography By:


Nate Payne Photography Washington, DC





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© 2023 Nate Payne Photography & Pit-Dweller Media

Washington, D.C.

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